Projects

2023

Vestiges

Vestiges, two oil paintings on rice paper, hand sewn, each 240 × 260 cm, 2023

Vestiges, mixed media on paper, 19.5 × 13 cm, 2023

Vestiges (verso), color pencil on paper, 10 × 15 cm, 2023

Vestiges, collage on paper, 31 × 22 cm, 2023

Vestiges, Indian ink on paper, 31 × 22 cm, 2023

Vestiges, Indian ink on paper, 31 × 22 cm, 2023

Vestiges, pencil on paper, 29.7 × 21 cm, 2023

Vestiges, pencil on paper, 29.7 × 21 cm, 2023

Vestiges, pencil and monotype on paper, 29.7 × 21 cm, 2023

Vestiges, collage on paper, 17 × 8.5 cm, 2023

Vestiges, collage on paper, hand sewn, 14 × 7.5 cm, 2023

Exhibition 2025

Vestigios_Remains, Secondroom, Antwerp, Belgium
→  secondroom.org/...

Solo exhibition 2023

Traits d’union, Odradek, Brussels, Belgium
→  odradekresidence.be/...

The series Le lieu qui te revêt, started in 2020 — made up of paintings and collages inspired by the Annunciations by Fra Angelico (Italian painter, 1395-1455) —, gave rise to another one: Vestiges.

The progressive disappearance of images and its survival as remains, is the core of the pieces of Vestiges. The word “vestige” embodies both destruction and permanence. It signifies ruins, the remnants of the past but also traces, like footprints on the ground that bear witness to passage and presence. The collages and drawings mix images of contemporary devastated places with leftovers of materials of the previous work. The residues of images lead our gaze towards a dispersed, contemporary and distant elsewhere.

The large format painting is built with fragments of material, pieces of rice paper drawn, painted, and sewn by hand. It recalls the structure and origin of the Kesa, clothing worn by Zen Buddhist monks and nuns during meditation. The very first Kesas were made of very humble fabrics: the shrouds of the dead, the linens of women in labor... everything that had been soiled that was going to be thrown away was collected. Formally, the Kesa represents a rice field, associating both territory and nourishing. The idea of land emerges, which, like the mind/soul must be plowed and cultivated.

01/11Natalia Blanch, painting, diptych Vestigio

Exhibition view, Odradek, Vestiges, two oil paintings on rice paper, hand sewn, each 260 × 240 cm, 2023 (photo Gilles Ribero)

02/11Natalia Blanch, drawing Vestigio

Vestiges, mixed media on paper, 19.5 × 13 cm, 2023

03/11Natalia Blanch, drawing Vestigio

Vestiges (verso), color pencil on paper, 10 × 15 cm, 2023

04/11Natalia Blanch, drawing Vestigio

Vestiges, collage on paper, 31 × 22 cm, 2023

05/11Natalia Blanch, drawing Vestigio

Vestiges, Indian ink on paper, 31 × 22 cm, 2023

06/11Natalia Blanch, drawing Vestigio

Vestiges, Indian ink on paper, 31 × 22 cm, 2023

07/11Natalia Blanch, drawing Vestigio

Vestiges, pencil on paper, 29.7 × 21 cm, 2023

08/11Natalia Blanch, drawing Vestigio

Vestiges, pencil on paper, 29.7 × 21 cm, 2023

09/11Natalia Blanch, drawing Vestigio

Vestiges, pencil and monotype on paper, 29.7 × 21 cm, 2023

10/11Natalia Blanch, drawing Vestigio

Vestiges, collage on paper, 17 × 8.5 cm, 2023

11/11Natalia Blanch, drawing Vestigio

Vestiges, collage on paper, hand sewn, 14 × 7.5 cm, 2023