Installations

November 2023

Traits d'union

Solo exhibition
Odradek, Brussels, Belgium
→  odradekresidence.be/...

Des champs des puits project: drawings, textiles

Le lieu qui te revêt project: drawings

Vestiges project: drawings, paintings

Allure implacable d'un murmure, hand-painted cotton thread crocheted, 10 × 430 cm, 2019

For the solo exhibition Traits d'union at Odradek, I pursue the reflection on painting, language, and space, which started from the Annunciations of Fra Angelico in the Le lieu qui te revêt project and on the connections between language, drawing and textile in the Des Champs des puits project.

Traits d'union associates works created by concentrated and meticulous gestures, through techniques such as collage or hand sewing, which link posture to breath.

My works are constructed with fragments of material, pieces of rice paper drawn, painted and sewn by hand for the paintings and morsels of impressions of Annunciations and of press photographs, on paper, for the collages. Leftovers are placed on the paper, vestiges of images leading our gaze towards a dispersed, contemporary, and distant elsewhere.

Gyoji is a Japanese term for uninterrupted practice. My artistic practice could be considered a continuation of my spiritual one. The large format paintings are built with pieces of rice paper drawn, painted, and sewn by hand. They recall the structure and the practice of sewing the Kesa, clothing worn by Zen Buddhist monks and nuns during meditation.

The gestures of sewing also extend into the drawings, notably in the drawings and poems of the project Des champs des puits. This project was born from the meeting between my drawings from the Minimal Drawings series and the poetry of Thierry Bodson. Thierry has laid down words in regard to about thirty of them. I, in turn, worked with his texts. The dialogue between our practices has engendered constellations of drawings/poems which alter through successive translations and transformations.

“Each day is woven in the expectation and in the hope of seeing a hint of meaning floating on the stream of dreams, something that holds, like a boat, a fish out of water that we could grab, a whisper that we could hear thanks to the slow stroke, to the touch under our fingers.”

Thierry Bodson, excerpt from a poem
of the Des champs des puits project.

→  PDF Presentation of the Traits d'union solo exhibition

→  PDF Catalogue of the Traits d'union solo exhibition at Odradek, Brussels

→  PDF Presentation of the Des Champs des puits project

→  PDF La surface du chant by Didier Escole

01/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Vestiges, oil paintings on rice paper, hand sewn, each 240 × 260 cm, 2023, and Le lieu qui te revêt, collage on paper, 36.2 × 31.4 cm, 2021 (photo Gilles Ribero)

02/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Vestiges, oil paintings on rice paper, hand sewn, each 240 × 260 cm, 2023, Le lieu qui te revêt, collage on paper, 36.2 × 31.4 cm, 2021, in the middle, two Vestiges drawings, Indian ink on paper, and collage on paper, each 31 × 22 cm, 2023, on the right wall (photo Gilles Ribero)

03/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, series of Le lieu qui te revêt drawings, collage on paper, each 36.2 × 31.4 cm, 2021-23, and back of the Vestiges, oil paintings on rice paper, hand sewn, 240 × 260 cm, 2023 (photo Gilles Ribero)

04/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Vestiges (verso), color pencil on paper, 10 × 15 cm, 2023 on the left wall

05/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Tu descends de la chaise drawings, pencil on paper, each 22 × 31 cm, 2018, from Des champs des puits project (photo Gilles Ribero)

06/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Le lieu qui te revêt, collage and pencil on paper, 31 × 22 cm, 2021, at the top, Le lieu qui te revêt, collage on paper, 31 × 22 cm, 2021, and Vestiges, pencil and monotype on paper, 29.7 × 21 cm, 2023 (photo Gilles Ribero)

07/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Vestiges, collage on paper, 17 × 8.5 cm, 2023, and Vestiges, pencil on paper, 29.7 × 21 cm, 2023, on the left wall, Le lieu qui te revêt, embroidered color print, 21.5 × 25.5 cm, 2021, Vestiges, collage on paper, hand sewn, 14 × 7.5 cm, 2023, and Vestiges, pencil on paper, 29.7 × 21 cm, 2023

08/15Natalia Blanch, Traits d'union exhibition

ExhExhibition view, Odradek, Odradek, Des champs des puits project in collaboration with Thierry Bodson, mixed media, variable dimensions, 2018-22 (photo Gilles Ribero)

09/15Natalia Blanch, Traits d'union exhibition

Installation view, Odradek, Des champs des puits project in collaboration with Thierry Bodson, mixed media, variable dimensions, 2018-22 (photo Gilles Ribero)

10/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Allure implacable d'un murmure, hand-painted cotton thread crocheted, 10 × 430 cm, 2019 from Des champs des puits project (photo Gilles Ribero)

11/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Allure implacable d'un murmure, hand-painted cotton thread crocheted, 10 × 430 cm, 2019 from Des champs des puits project, detail (photo Gilles Ribero)

12/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Le lieu qui te revêt, collage on paper, 36.2 × 31.4 cm, 2022

13/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Le lieu qui te revêt, collage on printing, 21.5 × 25.5 cm, 2021

14/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, Vestiges, collage on paper, hand sewn, 14 × 7.5 cm, 2023, and Vestiges, pencil on paper, 29.7 × 21 cm, 2023

15/15Natalia Blanch, Traits d'union exhibition

Exhibition view, Odradek, reading by Yvan Tjolle of Thierry Bodson's poems from the Des champs des puits project, Odradek, 25 November 2023