Installations

2024

I dwell in Possibility

Natalia Blanch & Lucile Bertrand exhibition
Losange, Brussels, Belgium
→  artlosange.com/...

Des champs des puits project: drawings, textiles, edition

Goen project: drawings, paintings, textiles

Keep Going project: drawings, video

La trame des mots project: drawings, textiles

Le lieu qui te revêt project: drawings, paintings, textiles

Delicada urgencia, crocheted cotton thread, 19 × 38 cm, 2015

I dwell in Possibility

“I dwell in Possibility–
A fairer House that Prose–
More numerous of Windows–
Superior –for Doors–

Of Chambers as the Cedars–
Impregnable of eye–
And for an everlasting Roof–
The Gambrels of the Sky–

Of visitors –the fairest–
For Occupation –this–
The Spreading wide my narrow Hands
To gather Paradise–”

Emily Dickinson

“Under the title I dwell in Possibility, Lucile Bertrand and Natalia Blanch take over the house of the artist Evelyne de Behr and of Thierry Lucas. The reference to Emily Dickinson's poem in which the writer praises poetry – a much more beautiful home than prose because it is the place of all possibilities – sheds light on the relationship that these two artists have with both the domus and the poesis.” Nadine Plateau, excerpt from the text of the exhibition catalogue I dwell in Possibility.

“Natalia Blanch's work addresses the force of life and its transformation, in each act of creation as well as in motherhood. Thus, the video Keep going, which focuses on her condition as a woman, mother and artist, was created for the exhibition. But also, her appropriations of existing art works that she transforms through different mediums, notably the Annunciations painted by Fra Angelico, which she revisits, moves and deconstructs to offer new readings.” Excerpt from the exhibition press release.

→  PDF Calogue of the I dwell in Possibility exhibition

→  PDF Article Losange, ou la nécessité d'être au monde, by Clémentine Davin, in L'Art Même no. 94, 4th quarter 2024

01/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, two Le lieu qui te revêt drawings, collage on paper, and collage and pencil on paper, each 31 × 22 cm, 2021, in the background, and Le lieu qui te revêt, collage on paper, 36.2 × 31.4 cm, 2021, on the right wall (photo Gilles Ribero)

02/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Trame/Weft textile, hand-dyed and crocheted thread, 17.5 × 17.5 cm, 2016, on the wall, and Poem 19, hand-dyed and crocheted thread, 9 × 173.5 cm, 2016, on the table, from La trame des mots project (photo Gilles Ribero)

03/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Delicada urgencia, crocheted cotton thread, 19 × 38 cm, 2015 (photo Gilles Ribero)

04/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Reminiscencia III, Indian ink on paper, 40 × 60 cm, 2016, from La trame des mots project (photo Gilles Ribero)

05/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, C'est un astre apparu, paper cut and woven with hand-painted thread, 8 × 13 cm, 2018, C'est un astre apparu, paper cut, 8 × 13 cm, 2018, and C'est un astre apparu, horsehair toile and sewn paper, 10 × 15 cm, 2018, from Des champs des puits project (photo Gilles Ribero)

06/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, two Le poids du sable, embroidered papers, 21 × 15 cm, 2018, from Des champs des puits project on the fireplace, Trame/Weft, hand-dyed and crocheted thread, 17.5 × 17.5 cm, 2016, from La trame des mots project on the wall (photo Gilles Ribero)

07/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Tu revois, pencil on paper, 22 × 31 cm, 2018, from Des champs des puits project (photo Gilles Ribero)

08/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Tu revois, pencil on paper, 22 × 31 cm, 2018, from Des champs des puits project on the left, and Sombra entrelazada, acrylic on tracing paper, adhesive tape, 45 × 62 cm, 2012, from Goen project on the right wall (photo Gilles Ribero)

09/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Le poids du sable, mixed media, 31 × 22 cm, 2018, from Des champs des puits project (photo Lucile Bertrand)

10/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Keep Going video 4'27'', 2024, and Le lieu qui te revêt , oil painting on rice paper, hand sewn, 280 × 176 cm, 2021, on the bed

11/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Poem 19, hand-dyed and crocheted thread, 9 × 173.5 cm, 2016, from La trame des mots project

12/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Tu revois, pencil on paper, 22 × 31 cm, 2018, from Des champs des puits project (photo Lucile Bertrand)

13/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Reminiscencia I and Reminiscencia II, Indian ink on paper, each 30 × 42 cm, 2016, from La trame des mots project on the wall (photo Lucile Bertrand)

14/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, two Le poids du sable drawings, embroidered papers, each 21 × 15 cm, 2018, from Des champs des puits project on the fireplace (photo Lucile Bertrand)

15/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, Soulignage, pencil on paper, 31 × 22 cm, 2024, from Keep Going project (photo Lucile Bertrand)

16/16Natalia Blanch, I dwell in Possibility exhibition

Exhibition view, Losange, two Reminiscencia textile drawings, horsehair toile and crochet, 15 × 21 cm, 2016, from La trame des mots project on the left, and Le lieu qui te revêt, collage on paper, 36.2 × 31.4 cm, 2021, on the right